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	<title>The SouthSIDE of the Tracks - Glen Stephan - Independent Recording Network</title> 
	<link>http://www.independentrecording.net/irn/columns/gstep/</link> 
	<description>Column by Glen Stephan on the Independent Recording Network</description> 
	<language>en-us</language> 
	<copyright>Copyright 2010</copyright> 
	<lastBuildDate>Fri, 06 Feb 2009 08:00:00 PM EST</lastBuildDate> 
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			<title>Monitor Volume Levels</title> 
			<link>http://www.independentrecording.net/irn/columns/gstep/index.php?id=84</link> 
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			<description>We have set up our new studio with care and detail. We have installed our favorite near field loudspeakers as our studio monitors and have set them up accordingly in a decent-sounding room, and are ready to start work. At what volume should we listen as we mix? Is there an ideal volume for working on our mixes?</description> 
			<pubDate>Fri, 06 Feb 2009 08:00:00 PM EST</pubDate> 
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		<item>
			<title>Studio Monitors Part 4: Subwoofers</title> 
			<link>http://www.independentrecording.net/irn/columns/gstep/index.php?id=82</link> 
			<guid>http://www.independentrecording.net/irn/columns/gstep/index.php?id=82</guid> 
			<description>When independent recordists are faced with monitor selection, the question usually comes up, “Should I buy a subwoofer, and if so, which one?” In this final part of our look at nearfield monitor selection and installation, we’ll take a simple look at the oft-controversial subject of subwoofers in the studio.</description> 
			<pubDate>Sat, 18 Oct 2008 08:00:00 AM EST</pubDate> 
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			<title>Studio Monitors Part 3: The Feng Shui of Monitors</title> 
			<link>http://www.independentrecording.net/irn/columns/gstep/index.php?id=80</link> 
			<guid>http://www.independentrecording.net/irn/columns/gstep/index.php?id=80</guid> 
			<description>The ancient Chinese may have been on to more than they realized when they developed their concept of "feng shui"; the idea that one can cultivate positive energy through the proper physical placement and alignment of our living spaces. That may not have been that far off. It turns out that the performance of our nearfield monitors is inextricably connected to their location within the room and the condition of the room itself.</description> 
			<pubDate>Sat, 27 Sep 2008 01:00:00 PM EST</pubDate> 
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			<title>Studio Monitors Part 2: To Tell The Truth?</title> 
			<link>http://www.independentrecording.net/irn/columns/gstep/index.php?id=77</link> 
			<guid>http://www.independentrecording.net/irn/columns/gstep/index.php?id=77</guid> 
			<description>When asked, “Which monitor should I use?” , most of us are quick to respond with a fairly specific recommendation for make and model. If it’s that definitive of an answer, then why is everybody’s answer different?</description> 
			<pubDate>Tue, 02 Sep 2008 06:00:00 PM EST</pubDate> 
		</item>

		<item>
			<title>Studio Monitors Part 1: Monitor Hype</title> 
			<link>http://www.independentrecording.net/irn/columns/gstep/index.php?id=74</link> 
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			<description>Nearfield studio monitors are arguably the most important purchase decision the average project studio owner will make. Yet the noise of myth and misunderstanding surrounding the subject is deafening. In this series the author hopes to de-mystify and de-myth-ify the subject of studio monitors. Starting off in Part 1: What does it mean - or perhaps not really mean - when a speaker is officially labeled as a "studio monitor"?</description> 
			<pubDate>Fri, 22 Aug 2008 04:00:00 PM EST</pubDate> 
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